{"id":1153,"date":"2013-11-22T15:17:20","date_gmt":"2013-11-22T14:17:20","guid":{"rendered":"http:\/\/www.andreaeichenberger.com\/?p=1153"},"modified":"2022-09-18T13:05:37","modified_gmt":"2022-09-18T12:05:37","slug":"texts","status":"publish","type":"post","link":"http:\/\/www.andreaeichenberger.com\/?p=1153","title":{"rendered":"Texts"},"content":{"rendered":"

<\/h2>\n

TEXTS <\/strong><\/span>AND ARTICLES<\/strong>
\n<\/strong><\/span><\/h2>\n

Niura A. Legramante Ribeiro<\/strong><\/span><\/a>, <\/span>\u00ab\u00a0Tableaux\u00a0\u00bb<\/em> <\/span>fotogr\u00e1ficos de fontes pict\u00f3ricas em paisagens de Andrea Eichenberger.<\/span> <\/em>In: (Re)exist\u00eancias: anais do 30\u00ba encontro nacional da ANPAP. Anais…Jo\u00e3o Pessoa(PB) ANPAP, 2021.<\/span><\/p>\n

Niura A. Legramante Ribeiro<\/strong><\/span><\/a>, Squat: mem\u00f3ria de um encontro, de Andrea Eichenberger<\/em>. In Anais do 40\u00ba Col\u00f3quio do Comit\u00ea Brasileiro de Hist\u00f3ria da Arte: Pesquisas em di\u00e1logo, 2020.<\/span><\/p>\n

Niura A. Legramante Ribeiro<\/strong><\/span><\/a>, Autofoco : as ressignifica\u00e7\u00f5es dos autorretratos em fotografias de artistas com seus dispositivos de trabalho<\/em>.\u00a0 In O artista em representa\u00e7\u00e3o: cole\u00e7\u00f5es de artistas \/ Organizadores: Alberto Mart\u00edn Chill\u00f3n, Ana Maria Tavares Cavalcanti, Arthur Valle, Fernanda Pitta, Maria Jo\u00e3o Neto, Marize Malta e Sonia Gomes Pereira. Tradutores: Jo\u00e3o Ricardo Milliet e Natalie Lima. – 1. ed. – Rio de Janeiro : NAU Editora, 2020.<\/span><\/p>\n

Michel Poivert<\/strong><\/a>, 50 ans de photographie fran\u00e7aise de 1970 \u00e0 nos jours<\/em>, \u00c9ditions Textuel. 2019.<\/span><\/p>\n

Alice Jaspart<\/strong><\/span><\/a>, Les mille briques<\/em>. Catalogue de la 6e<\/sup> Triennale de Photographie et Architecture \u2013 Facult\u00e9 d\u2019Architecture La Cambre Horta, Bruxelles<\/span>. 2018<\/span> (fr).<\/span><\/p>\n

Mathieu Oui<\/strong><\/span><\/a>, Les espaces de r\u00e9clusion d’Andrea Eichenberger<\/em>. Revue AMC, n\u00b0269, mai 2018 <\/span>(fr).<\/span><\/p>\n

Love Stories,<\/span><\/a><\/strong> <\/span>Les mille briques.<\/em><\/span> Les Photaumnales. 13e \u00e9dition. Catalogue du festival. 2016 <\/span>(fr).<\/span><\/p>\n

Fanny Doll\u00e9,<\/strong><\/span><\/a> M\u00e9moire d’une prison.<\/em> Courrier Picard, dimanche, 9 octobre 2016 <\/span>(fr).<\/span><\/p>\n

Fernanda Aguiar Carneiro Martins<\/b><\/span><\/a>,<\/span><\/a> L’ANTROPOLOGIQUE ET L’ARTISTIQUE et vice-versa,<\/em> Revue Artelogie, 2015 (fr).<\/span><\/p>\n

Michel<\/strong> Poivert<\/strong><\/span><\/a>, La veine d\u00e9mocratique: lente restauration d’une po\u00e9tique des usages.<\/em> ArtPress 2. Trimestriel n\u00b034, Aout\/Sep\/Oct 2014 (fr).<\/span><\/p>\n

Alex Krahmer<\/strong><\/span><\/a>, Temporariamente dispon\u00edvel: SQUAT, \u00e0 mem\u00f3ria de Y. Sobre o livro de artista Squat de Andrea Eichenberger, <\/em>Di\u00e1rio Catarinense, Cultura, 29.11. 2014 (pt)<\/em>.<\/span><\/p>\n

Michel Poivert<\/strong><\/span><\/a>, Translitor\u00e2nea<\/em>: une utopie, <\/em>catalogue exposition Translitor\u00e2nea, 2014 (pt, fr, en).
\n<\/em><\/span><\/p>\n

Fernanda Aguiar Carneiro Martins<\/span><\/a><\/b>, O ANTROPOL\u00d3GICO E O ART\u00cdSTICO e vice-versa,<\/em> Cine Cachoeira, 2014 (pt).<\/span><\/p>\n

Aline Smithson<\/span><\/a>,<\/strong> Andrea Eichenberger, Translitor\u00e2nea<\/em>, Lenscrascht, 2014 (en).<\/span><\/p>\n

Celia Antonacci \/ Bola Teixeira<\/strong><\/span><\/a>, Translitor\u00e2nea nas lentes de Andrea Eichenberger: uma po\u00e9tica do encontro. <\/em>Photo Magazine n\u00b0 55, 2014 (pt).<\/span><\/p>\n

Charles Monteiro<\/strong><\/span><\/a>, Rostos, paisagens e cores do nosso pa\u00eds na fotografia de Andrea Eichenberger, <\/em>2014 (pt).<\/span><\/p>\n

Juliette Lunkes<\/strong><\/span><\/a>, \u00c0s marges da rodovia<\/em>, Not\u00edcias do Dia, Plural, 13.03.2014 (pt).<\/span><\/p>\n

Ivan Alexandre<\/strong><\/span><\/a>, Cartas do Campo, <\/em>Portal Photos, 2014 (pt).<\/span><\/p>\n

N\u00e9ri Pedroso<\/strong><\/span><\/a>, Translitor\u00e2nea<\/em>, 2014 (fr).<\/span><\/p>\n

N\u00e9ri Pedroso<\/strong><\/span><\/a>, Passaporte para a grandeza, 2014<\/em> (pt).<\/span><\/p>\n

Ally Colla\u00e7o<\/strong><\/span><\/a>, Translitor\u00e2nea – o despertar do olhar sens\u00edvel!<\/em>, 2014 (pt)<\/em>
\n<\/em><\/span><\/p>\n

VDW<\/strong><\/span><\/a>, \u00ab\u00a0Le jeu des paysages\u00a0\u00bb par Andrea Eichenberger<\/em>, Var matin, 09.09.2013 (fr).<\/span><\/p>\n

Herv\u00e9 Le Goff<\/strong><\/span><\/a>, Photaumnales de Beauvais: Dixi\u00e8me moisson picarde, <\/em>Chasseur d’Images, n\u00b0357, Octobre 2013 (fr).<\/span><\/p>\n

Blanca Ruiz<\/strong><\/span><\/a>, Acercamiento a trav\u00e9s de la fotograf\u00eda. Relatos de Brasil<\/em>, Reforma, Suplemento Cultural \u00ab\u00a0El Ang\u00e9l\u00a0\u00bb, M\u00e9xico 11.08.2013 (es).<\/span><\/p>\n

Edinara Kley<\/strong><\/span><\/a>, Olhar sobre o Mediterr\u00e2neo<\/em>, Not\u00edcias do Dia, Plural, 13.08.2013 (pt).<\/span><\/p>\n

Barnab\u00e9 Moinard<\/strong><\/span><\/a>, Andrea Eichenberger<\/em>, mars, 2013 (fr).<\/span><\/p>\n

Carolina Moura<\/strong><\/span><\/a>, Grades da Capital<\/em>, Not\u00edcias do Dia, Plural, 15.08.2012 (pt).<\/span><\/p>\n

INTERVIEWS<\/strong><\/span><\/h2>\n
\n
\n

Laurence Leguen.<\/strong><\/a>\u00a0Dans le secret de la bo\u00eete noire de Daguerre : Rencontre avec Andrea Eichenberger.<\/em> Interview, Miniphlit. 15.09.2022 (fr).<\/span><\/p>\n

Fran\u00e7oise Lambert<\/span><\/a><\/b>. Translitor\u00e2nea – Interview<\/i>, In Frame, 10.10.2018 (fr).<\/span><\/p>\n

Charles Monteiro & Lu\u00edsa Kuhl Brasil.<\/b><\/span><\/a> Sobre fotografia, encontros e deslocamentos:<\/i> Uma conversa entre Charles Monteiro, Lu\u00edsa Kuhl Brasil e Andrea Eichenberger<\/i>. In Translitor\u00e2nea, cat\u00e1logo da exposi\u00e7\u00e3o. Andrea Eichenberger, Michel Poivert, Charles Monteiro, Lu\u00edsa Kuhl Brasil. Curitiba, Edi\u00e7\u00e3o do Autor, 2016 (pt \/ fr).<\/span><\/p>\n

Revista Old, n\u00b0 46, junho 2015<\/b>. <\/span><\/a>P. 26-41 (pt).<\/span><\/p>\n

Yula Jorge<\/b><\/span><\/a>, Feedback Andrea Eichenberger<\/i>, Not\u00edcias do Dia, Coluna Express\u00e3o, 08.03.2014 (pt).<\/span><\/p>\n

Michel Poivert<\/b><\/span><\/a>, Andrea Eichenberger en entretien avec Michel Poivert \u00e0 l\u2019Institut National de l\u2019Histoire de l\u2019Art \u00e0 Paris<\/i> le 21 mars 2013<\/i> (fr).<\/span><\/p>\n

WRITINGS<\/strong><\/span><\/h2>\n<\/div>\n<\/div>\n

Andrea Eichenberger<\/span> & Carole Gayet-Viaud & Val\u00e9rie Icard<\/a>,<\/strong> \u00ab\u00a0Photographier la prison\u00a0\u00bb, M\u00e9tropolitiques<\/em>, 14 novembre 2019 (fr <\/span><\/a>\/ en<\/span><\/a>).<\/span><\/p>\n

Andrea Eichenberger<\/strong><\/span><\/a>, Do que resta : olhares sobre o lixo e o meio-ambiente<\/em>, In Rial, C. (org) O poder do lixo: abordagens antropol\u00f3gicas dos res\u00edduos s\u00f3lidos. Bras\u00edlia, Editora ABA, 2016 (pt).<\/span><\/p>\n

Andrea Eichenberger<\/span><\/a>, <\/em><\/strong>Art and Garbage: Anthropological Studies through a Photographer’s eyes<\/em>. In\u00a0Beyond the Market: Building Sino-Latin American Cultural Relations,\u00a0University of Nottingham, Ningbo, China, 2016 <\/span>(en).<\/span><\/p>\n

Andrea Eichenberger<\/span><\/a><\/strong>, \u00ab\u00a0(in)Security\u00a0\u00bb\u00a0project: stimulating a dialogue between Art and Anthropology<\/em>,\u00a0<\/span>Visual Etnography. Vol 3, No 1,<\/span> 2014 (en).<\/span><\/p>\n

Andrea Eichenberger<\/strong><\/span><\/a>, Consid\u00e9rations sur le projet \u00ab\u00a0(in)S\u00e9curit\u00e9\u00a0\u00bb: une exp\u00e9rience interdisciplinaire pour penser la ville, <\/em>Passages de Paris 9, 2014 (fr).<\/span><\/p>\n

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TEXTS AND ARTICLES Niura A. Legramante Ribeiro, \u00ab\u00a0Tableaux\u00a0\u00bb fotogr\u00e1ficos de fontes pict\u00f3ricas em paisagens de Andrea Eichenberger. In: (Re)exist\u00eancias: anais do 30\u00ba encontro nacional da ANPAP. Anais…Jo\u00e3o Pessoa(PB) ANPAP, 2021. Niura A. Legramante Ribeiro, Squat: mem\u00f3ria de um encontro, de Andrea Eichenberger. In Anais do 40\u00ba Col\u00f3quio do Comit\u00ea Brasileiro de Hist\u00f3ria da Arte: Pesquisas […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[],"_links":{"self":[{"href":"http:\/\/www.andreaeichenberger.com\/index.php?rest_route=\/wp\/v2\/posts\/1153"}],"collection":[{"href":"http:\/\/www.andreaeichenberger.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.andreaeichenberger.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.andreaeichenberger.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.andreaeichenberger.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1153"}],"version-history":[{"count":128,"href":"http:\/\/www.andreaeichenberger.com\/index.php?rest_route=\/wp\/v2\/posts\/1153\/revisions"}],"predecessor-version":[{"id":2986,"href":"http:\/\/www.andreaeichenberger.com\/index.php?rest_route=\/wp\/v2\/posts\/1153\/revisions\/2986"}],"wp:attachment":[{"href":"http:\/\/www.andreaeichenberger.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1153"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.andreaeichenberger.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1153"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.andreaeichenberger.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1153"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}